Young Scholars’ Workshop am 29. Juni, 09.00-18.00 im Joseph Haydn-Saal
PROGRAMM
09.00-09.15: Eröffnung durch Peter Tschmuck & Carsten Winter
09.15-10.45: Panel 1: Die Konsumentenperspektive – Diskutant Joel Waldfogel
Janina Stork, How do users benefit from cloud-based music services?
Enrique Fatas and Maria Escriva, Pirates or corsairs? An experimental analysis of property rights in digital music
Stefan Lorenz, ‘Matching the vibe’: Effects of sharing playlists
10.45-11.00: Kaffeepause
11.00-13.30: Panel 2: Musikmanagement – Diskutant David Bahanovich
Lucie Šilerová, Alena Řezníčková, Pavel Šnajdr, Application of theoretical management instruments to orchestral organizations in Czech Republic
Maike Engelmann, Lorenz Grünwald, Julia Heinrich, The ‘artepreneur’: A model for future success and personal fulfillment for artists
Kinga Jentetics, The strategic integration of music branding and its evolution in the past 10 years
12.30-13.30: Mittagspause
13.30-15.00: Panel 3: Die Musikerperspektive – Diskutant Peter Tschmuck
Pablo Tupinambá Campos, New business models in the recording industry: An artists’ perspective
Holger Schwetter, sharing – what else? Examining how idenpendent musicians make a living today
Florian Waldner, Simulating the digital music market: When music becomes software. Everybody is an artist
15.00-15.15: Kaffeepause
15.15-16.15: Panel 4: Musik Branding und Kulturpolitik – Diskutant Carsten Winter
Christopher Buschow, Lobbying the German cultural policy. A research agenda
Barbora Štěpánková, Lucie Šilerová, The analysis of contempory cultural policy in the Czech Republic
16.15-16.30: Kaffeepause
16.30-18.00: Panel 5: Die Ökonomie elektronischer Musik – Diskutant Martin Lücke
Jan-Michael Kühn, Working in the Berlin Techno Scene: Theoretical sketch of an electronic music ‘scene economy’
Miriam Akkermann, Between algorithm and improvisation. David Wessel, Karlheinz Essl and Georg Hajdu
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